Showing posts with label S I P. Show all posts
Showing posts with label S I P. Show all posts

Tuesday, 23 August 2016

Stranger in Paradise: New Trends in Balinese Creativity


New Trends in Balinese Creativity
Dancers from Ida Wayan Granoka’s Bajra Sandi dance troupe performing a ritual warrior dance
at Pedanda Bongkasa’s cremation (Photo by Mustakim)
In a 1940s ditty, legendary songster and wit Noel Coward wrote, rather snidely, that the Balinese suffered from far too much creative endeavour.
There can be no doubt, of course, that the Balinese culture is amongst the most dynamic in the world — continually reviving, inventing and enhancing rituals, dances, and its own traditional arts.
Lately, the new community leaders are looking for distinctly new ways to do things. This is nowhere more pronounced than in the performance arts, where old classics — costumes, make-up, even the dances themselves — are being given startling makeovers.
Last month, at a Bongkasa high priest’s cremation, I saw a contemporary-cum-ceremonial dance performance staged around the funeral pyre. It resembled a chorus line from a very classy Balinese production of Cats.
In Kintamani, Christmas baubles appeared as eyeballs on a series of spirit effigies (see photo below); and, in Gianyar, battalions of drag queens were marching on the streets during the annual lead-up to Independence Day parades.
Kwai-Hai!!
Christmas tree bawbles as eyeballs on spirit effigies in Kintamani (Photo by Ida Bagus Putra Adnyana)
Simultaneously, at one of my favourite South Bali temples, I witnessed a Telek dance — one of Bali’s most ancient — that had been restyled as a touristic dance of welcome, ending, oddly, in a mass trance.
While I am both alarmed, as a chronicler of the classical, by the continuing loss of beloved classical norms, I am delighted by the Balinese ability to amaze with creativity and originality.
This cultural appropriation is nothing new: whiskey canister stops were first introduced on high priests’ crowns over 100 years ago; white socks and epaulettes were added to North Coast Janger dance costumes during the Dutch colonial eras, and filter-tip cigarettes on long wires were added to temple offerings some time after that. For years, classic Coca-Cola bottles were the holy water vessel of choice for many of the island’s temple priests.
The Balinese don’t really draw lines when it comes to creativity: ‘Let it flow’ is the creed. Even the island’s famously humble high priests are now dressing up like Indian Maharajas.
August 2016: To Griya Gede Bongkasa for the cremation of a high priest 
During the 1970s I worked at the Dance Academy in Bali as an English teacher. I became close to Ida Bagus Raka, the Baris dance instructor, and his family, in a rural village in the Mengwi regency across the Ayung River valley from Amandari.
Through the ages the brahmana house of Bongkasa has been renowned for its dancers and puppet masters.
During the 1950s, Pak Raka had travelled around the world dancing with the famous Peliatan dance troupe. His sons were great dancers too: one, Ida Bagus Karang, married the Dance Academy’s legong dance teacher, A.A. Susilawati, from a neighbouring palace. Pak Raka’s brother was a dalang (puppet-master) who became a high priest.
Today is the cremation of Pak Raka’s cousin, also a high priest, who was much loved in the village. The family has called in theatrical artist Ida Wayan Granoka to design special both dance sequences and costumes to be staged as part of the cremation rituals.
The results are staggering.
In a first for a Balinese royal cremation (pelebon) — or at least for the first time that I am aware of — a large white tarpaulin has been laid in the field adjacent the funeral pyre, painted in red and black hieroglyphics and ancient Balinese symbols.
After a morning of elaborate rituals — all conventional — the body is conveyed out of the Brahman house’s gates and down a high flight of steps, preceded by an honour guard of a dozen tiny-tot Baris dancers in costumes created especially for the day.
The procession heads its way through the village towards a virgin field (high priests are only rarely cremated at their village’s cremation ground) where it is met by a very moving unique dance ritual. The coffin is then placed high inside a white bull sarcophagus, and, after the last rites, performed by a group of high priests, set alight.
Faces and Fashion
From the Pelebon & Nganyud ceremonies of Ida Pedanda Gede Giri Sunia at Geria Gede Bongkasa, Abiansemal, Badung, 6 August 2016

Pedanda Bongkasa’s Lembu sarcophagus and coffin burn
See Link Video: PELEBON & NGANYUD ceremonies Ida Pedanda Gede Giri Sunia Arsa,
Geria Gede Bongkasa, 6 August 2016, (Video & Photos by Mustakim & Made Kader)
https://youtu.be/8S44SUhgx2Q
As the flames rise, a chorus of exquisitely-dressed dancers files on to the arena. Some sport long gold nail-covers, in the Burmese tradition; others wear exotic crimson floral headdresses. Young men sporting traditional Baris Jangkang make-up, but wearing costumes inspired by Baris warrior costumes, commence a dance around the burning pyre, a dance that lasts hours. All the musicians playing the gamelan nearby are in exotic dance costumes too. Occasionally they grab their instruments and join in the dance. It is a supremely artistic show of respect that has the waiting family members highly entertained.
In a way, it is similar to the performances put on around the burning pyre of high priest Ida Pedanda Gede Made Gunung two months ago, choreographed by the talented artist A.A. Rahma Putra, also from Mengwi.
Something is in the air in Mengwi — an area famous, during the classical era, for its picturesque temples and exotic temple carvings.
12 August 2016: To Nusa Penida to see the jostling of the funeral bier rituals
The big island of Nusa Penida (Nusa Lembongan’s big brother) has a unique Hindu Balinese culture that is not short of eccentric decorative tendencies.
Sadly, much of its unique, exotic (even by Balinese standards) architecture has disappeared, but the rituals and dances remain.
Today, my friend, local tourism promoter Dewa Sentana, has invited me and my assistant Mustakim to record the unique jostling of the colourful funeral floats in the sea ritual unique to Sampalan, the capital of Nusa Penida.
Ceremonies are always wild and woolly in Nusa Penida, and today is no exception.
Images from the Ngaben Massal ceremonies at Nusa Penida, 12 August 2016
(Photos by Mustakim)
See Mustakim’s excellent video: https://youtu.be/zuAiNvtAkYg
We arrive to find two giant white tigers — rather primitive-naive in form — parked on a beachside ramp normally used for large motor-boats. An exquisitely designed badé (funeral float) was parked on the foreshore nearby, replete with an inverted red demon (fierce fanged face facing forward) and a miniature temple wall on the float to contain the gendermusicians.
At low tide, before the climax of the ritual — and this is the only village in Bali that parades floats in the seawater — 69 bundles of bones, recently exhumed and wrapped in white kasa cloth, were piled onto the top golden pavilion portion of the bade float (see photos). Then the giant white lion sarcophagus and the float, borne aloft by hundreds of men, moved slowly down the beach before heading off into the shallows.
The combination of the boisterousness — which throughout Bali always accompanies processions to the graveyard — and the simulated mediaeval aquatic jousting accompanied by riotous gamelan is quite spectacular.

Thursday, 4 August 2016

Stranger in Paradise: A Grand Farewell for a Great High Priest

A Grand Farewell for a Great High Priest
The Mengwi Palace Baris Tekok Jago dances as the coffin burns
Balinese history is rich in celebrated brahman high priests. All were great teachers and reformers, starting with Sri Rsi Markandya, who introduced Brahmanism in the 8th century. At the beginning of the 11th century, Empu Kuturan united all of Bali’s warring religious fractions. Dang Hyang Dwijendra, the most celebrated of the Bali’s historical figures, arrived in the 16th century having fled the wave of Islam engulfing the Majapahit Empire in neighbouring East Java. He introduced a new, more Majapahit, version of Siwa-Budha religion. South Indian ritualistic Hinduism had been practiced in most of Bali since the Indianization of Southeast Asia in the 7th century.
By the late 1990s, as Bali entered the global area (GLO-BALI-sation it is sometimes called), it seemed only natural that one of the island’s charismatic high priests would become media-savvy and start a religious movement.
That high priest was Ida Pedanda Gede Made Gunung from Blahbatuh, half way between Denpasar and the art province of Gianyar.
Pedanda Gunung, as he was popularly known, established an asram at his ancestral home where pilgrims from all over Indonesia — and including many foreigners — came to study.  One of his most devout followers was American Soma Temple, from Seminyak, and her great friend Milo the fashion designer and his clan. Pedanda Gunung made many pilgrimages to his beloved Mother India with an entourage that included fellow high priests, and a group of Seminyak priests, invited by Milo, and other followers.
At the relatively young age of 53, Pedanda Gunung became a nabe, a teacher and ordainer of other high priests — and his reputation grew in the Hindu Balinese community.
His wachana (lectures) on Hinduism were light and easy and grew huge crowds.
Some royal princes became jealous of his fame — celebrity always comes with a price — his influence having spread, most recently, to the Anti-Benoa Bay Reclamation movement which has hundreds of thousands of Balinese supporters.
When Pedanda Gunung died at the age of 65, the island went into shock: the great guru had been a permanent fixture on television, and was often invited to officiate at the island’s great ceremonies. His legion devotees were devastated. Milo and the Seminyak acolytes went into deep mourning.
Prince of Mengwi, A.A. Gede Agung and
friend at the cremation
Pedanda Istri Made Gunung makes a final offering to
her late husband’s body as it burns
•    •    •
I was a huge fan of Pedanda Gunung, and we sometimes had a chat when our path crossed. Growing up in a Brahman home I was less terrified of the hauteur of the island’s Brahman high priests than most.
On one occasion, I accompanied him and his permanent retinue of loyal disciples — including Agung Dewandra Djelantik, his principal aid from the Karangasem royal family — to the Dieng Plateau in Central Java, to inspect a Hindu temple that had been desecrated by local Muslims and had become ‘unclean’.
We stopped first at the bupati’s office where the good pedanda was received royally. We then moved, in convoy, to the plateau — the centre of the 6th century Hindu Sanjaya dynasty (many exquisite candi temples remain).
At one point during the trip the pedanda went deep into a famous meditation cave and, upon emerging, pronounced that it was like a light bulb whose firmament had gone out. Like many of Bali’s high priests, he favoured using simple descriptive language to describe complicated spiritual matters.
This shared journey was some years ago, and I had not kept up, so I didn’t rush to the body washing late June, like half of the island, but committed to attending the two day cremation, and to recording the events.
The Prince of Ubud and a Pedanda
21 July 2016: To Geria Gede Kemenuh Purnawati for Pedanda Gunung’s cremation
 I arrived at the village at 10 a.m. 
Blahbatuh is a large traditional village on rolling land; the Brahman compound of Pedanda Gunung is down a gentle hillside on the eastern outskirts of the village, just below and behind the village’s most important temple, an imposing mass of shaped andesite.
The pedanda wanted a simple funeral — no elaborate coffin or fancy badé funeral bier — but the family and followers have created an exquisite Indian-style roofed funeral pyre plus enclosure — which they named Taman Sriwedari (garden of the angels) — replete with mini-moat, fountains and a silver-coated low fence built in the style of a Balinese temple wall. It was inside this enclosure that most of the days ceremonies took place.
The courtyards were packed with families, devotees and high priests, all wearing Pedanda Gunung’s signature orange. Inside the house’s main court, the official guests sat sipping tea: the Ubud, Peliatan, Mengwi and Karangasem princes in the north pavilion, rubbing shoulders with a busload of high priests.
A big group of lady high priests — Mini Mouse hairstyles glistening — sat eloquently in the large west pavilion, watching the stream of pupils, fans, groupies, and celebrities who had come to pay their respects.
Just before 11a.m., the prince of Mengwi, the former Mayor of Badung regency, the island’s most populous, has his palace’s honour guard — the Baris Tekok Jago chequered warriors line the white carpet that runs from the ceremonial pavilion where the coffin rests — to the funeral pyre outside.
The Baris Tekok Jago chequered warriors line (Photo by Mustakim)

11.30a.m.: The governor arrives, prays and leaves. No love there: the pedanda was at odds with the governmen’s policy on urban (not cultural) tourism.
11.45a.m.: The late proclamator President Soekarno’s daughter Sukmawati arrives accompanied by the erstwhile Raja Majapahit Dr. Gusti Wedakarna III and his rather stern bodyguards. I remind them to relax as the spirit of the day is suci (holy) not serem (severe). They giggle. Many of the late pedanda’s disciples are wearing commemorative t-shirts emblazed with the message ‘Death is life’s friend’.
11.50a.m.: Cok Putera of Puri Saren Ubud and Cok Nindia of Peliatan are almost lit by a falling exploding drone. The late high priest had specifically forbidden drones. The Coks are visibly shocked (makecos atma) by the incident. I tell the shocked crowd that it was a radical Islamist duck suicide bomber.
Faces and Fashion
from the Pelebon & Nyupit Galih ceremonies
of Ida Pedanda Gede Made Gunung at Geria Gede Kemenuh Purnawati,
Blahbatuh, Gianyar, 21-22 July 2016
Soma Temple (right) and Ida Pedanda Gede Giri Ananda Sandhi in front of the funeral pyre

Ida Bagus Nyoman Putra Inan Tukang Banten from Geria Sampinga

Mustakim

La barone Gil Maramis and son

A.A. Dewandra Djelantik, the deceassed’s trasted aide at the cremation

The bone-gathering ceremony
See Video Pelebon Ida Pedanda Gede Made Gunung at Geria Gede Kemenuh Purnawati,
Blahbatuh, Gianyar 21 July 2016
https://youtu.be/_qriKYsjZNc
Just before noon, the white kasa cloth, which traditionally proceeds the coffin on its way to the cremation ground, is unfurled and held aloft by a posse of lady high priests, all dressed in orange.
It is a very impressive scene: the priestess bearers, all dressed in orange; and the chequered honour guard with the Mengwi prince playing ring master.
Just after noon the ancient gambang music starts and the simply-wrapped body moves the 30 yards from the house’s ceremonial pavilion to the specially constructed Taman Sriwedari enclosure in the house’s forecourt.
The chequered warriors lining the way let out a loud battle cry — “Whoooh” — as the coffin moves past.
The late pedanda’s sons and some nephews receive the body and place it in an ornate orange box atop the pyre. High priests scramble to splash the corpse with holy water from 30 or so of the island’s top temples.
The eldest son then lights the pyre as the Baris warriors start a dancing perambulation inside the enclosure — with the deceased’s grandson standing in front of the burning pyre, holding a photo of the late priest as the flames rise. The prince of Mengwi is a very visible ring master for the duration of this magnificent spectacle. Thousands watch from behind the enclosure low wall.
The kul-kul tower is beatings the deceased’s wife stands to the north of the pyre with her children. She has been amazing all morning (as commander-in-chief of all the rituals, together with the offering-maker Pedanda Istri and Ida Bagus Nyoman Putra from Griya Sampiang, Central Bali’s foremost master of ceremonies) — but now her distress shows.
A giant tambur drum and accompanying angklung orchestra sound in a corner nearby.
There are few dry eyes in the forecourt.
22nd July 2016: to Geria Gede Kemenuh Purniatifor the second day of cremation rituals
Normally, in Bali, a body is cremated at noon and the ashes taken to the sea that afternoon. So elaborate were the rituals for Pedanda Gunung’s sending off that they needed to be spread over two days.
Today, I arrive at 6 a.m. to find the family and some of the high priests already sorting out bones from the ashes. The high priests and priestesses had slept the night on mats on the verandas of the ashram next door.
At 7 a.m., the ashes are collected, blessed, then put into a flower-bedecked adegan spirit effigy and moved to the special uparingga bier that will soon convey them, in a rousing procession, to the beach at Saba.
Noon, Saba Beach: The procession arrives at the spectacularly located Pura Segara temple — a special platform of offerings has been set up.
Images from the Nyungkem Adegan Nabe & Nganyud ceremonies
of Ida Pedanda Gede Made Gunung at Saba Beach, Gianyar, 22 July 2016
The moving Nyungkem Adegan Nabe ritual

Ida Pedanda Telabah Pemecutan and
friend farewell the ashes

Pedanda Istri, and family, on the beach as the ashes
of her late husband sail away

Topeng Sidakarya, Banjar Taman, Ubud perform at the Nganyud ceremonies

Milo and Made Milo
The Nganyud procession to the
sea heads off
The family prays as a special Topeng Sidakarya is performed — both inside the temple and on the beach near the adegan on its bier.
After prayers, the gathered high priests and priestesses rush the adegan, cradled by the deceased’s widow, and take turns saying a final, very moving farewell, by heading the bottom of the silver tray in which the ashes sit. This is extremely rare ritual, afforded only the highest of high priests. Everyone present is overcome with emotion.
Eventually, the high priests retreat and the family race the ashes and accompanying spirit effigy down the beach to the waiting boats.
The gathered crowd — hundreds of devotees, scores of priests and family members — watch and weep as the boats negotiate the dangerous surf.
No one wants to leave — everyone wants to savour these last poignant moments.
'Ngeledok/Nganyud' procession to send off the adegan spirit effigy to the sea at Saba Beach following the cremation ceremony
for Ida Pedanda Gede Made Gunung of Griya Gede Kemenuh Purnawati, Gianyar - Bali (Photo by Ida Bagus Putra Adnyana
)

See Video Nyumkem and Nganyud ceremonies of Ida Pedanda Gede Made Gunung at Saba Beach, 
Gianyar, 22 July 2016: https://youtu.be/chR9kxuUvzY
P.S.: I had tears streaming down my face for the last five minutes of this extraordinary video. I mean, I knew Pedanda Gunung, but was not close. Yes, over the past two days I have fallen in love again: with his widow, with everyone in the family really, especially the sons with beards and the firemen who came to the body-burning, but not enough to warrant weeping. Everyone was weepy at the beach when the great man's ashes were conveyed out through the waves magnificently — in the Balinese fashion — and suddenly the show was over. No one moved for five minutes (normally there is a stampede for the car park or the nearest babi guling) but the mood had changed from efficient to solemn during the nyungkem ritual and that’s when the tears started on the beach, and that’s when I started crying watching the video.


PHOTOS OF IDA PEDANDA MADE GUNUNG
THROUGH THE AGES
Ida Pedanda Made Gunung in India
Ida Pedanda Made Gunung and his disciple Milo
With Milo’s family
Ida Pedanda Made Gunung & wife with Indonesian film star Christine Hakim
In Wonosobo, Central Java